Abby is an AI producer’s agent. She reads your script like a studio exec, breaks it down, builds the schedule and budget, sends call sheets, and chases every confirmation herself. Then she goes looking for the money. Talk to her like another producer. She executes.
FADE IN:
A permit gets pulled, a day runs long, and a producer spends the night redoing the budget and schedule by hand. Every producer lives like this. No tool has done that part.
The coordination layer is live today. Availability checks, crew holds, call sheets out by wrap, confirmations chased overnight. The work that eats a producer’s day, done while you make the movie.
DEVELOP
She reads your script like a studio exec: scores, a verdict, and the Virality Index with real sources.
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DEVELOP
Every scene tagged, from cast and props to stunts and locations. The skeleton of the whole shoot.
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PLAN
A stripboard drafted from the breakdown. Drag it, or hand Abby your constraints.
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PLAN
Drafted from your script, optimized around your priorities, tracked against actuals.
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SHOOT
Built from the day's scenes, sent by text and email, confirmed with one tap.
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SHOOT
Abby follows up with everyone who hasn't confirmed, until they do. You wake up to sixteen of sixteen.
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MONEY
Sourced research into who backs projects like yours, with outreach drafted and sent by Abby once you give the OK.
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MONEY
Where should you shoot? Tax credits, rebates, and subsidies ranked by what they'd pay this budget.
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MONEY
Planned today from the breakdown's real risks and rates. Placed and run through Abby next.
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POST
A phased finishing plan, vetted post partners, and your call on whether AI touches the work at all.
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TEAM
Invite editors and viewers, see who's in the production live, edits sync in under a second.
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ABBY
Talk to her like another producer: she remembers everything, acts with your permission, and reports back.
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THE MONEY
Every production on Abby generates the data nobody in this industry has: what things actually cost versus what was budgeted. Financing and incentives are live today. Payroll, insurance, and vendor payments are what she’s being built toward. The producer’s money, end to end.
Sourced research into who backs projects like yours, with outreach drafted and sent by Abby.
Where should you shoot? Jurisdictions ranked by what they’d pay this budget.
Timecards to paychecks, run from the same rates that built the budget.
Quotes, purchase orders, and payment on delivery, logged as it happens.
WHO IT’S FOR
Your first short is your producer education, and Abby is the mentor in the room.
Features, docs, music videos: a full production office that fits in a laptop bag.
Fast turnarounds with client-ready call sheets and budgets, no overnight fire drills.